By Lisa Saltzman
By studying this concept of images as articulated in literature, movie, and the photograph novel, Daguerreotypes demonstrates how images secures identification for figures with an another way volatile feel of self. Lisa Saltzman argues that during many glossy works, the photo asserts itself as a guarantor of id, no matter if actual or fabricated. From Roland Barthes’s Camera Lucida to Ridley Scott’s Blade Runner, W. G. Sebald’s Austerlitz to Alison Bechdel’s Fun Home—we locate strains of photography’s “fugitive matters” all through modern tradition. eventually, Daguerreotypes unearths how the photo, right now own keepsake and fabric witness, has encouraged quite a number smooth creative and important practices.
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Extra resources for Daguerreotypes: Fugitive Subjects, Contemporary Objects
Daguerreotypes: Fugitive Subjects, Contemporary Objects by Lisa Saltzman